Basic Photography Course

302.210

Figure 13-10.Long shot, medium shot, and closeup shot progression.

simple line drawing examples of TV framing (fig. 13-9)
indicates how to stage and show elements within the

confines of the small 3:4 fixed aspect ratio of a television
picture.

Use high- and low-camera angles with caution.

High angles tend to shorten the legs of a person. Low
angles may distort the body and face of the subject. Of
course, watch for objects that seem to be growing out of
or are balanced on a person's head.

Area of Talent Included

Most motion-media assignments involve people.

You may find it convenient to identify people shots by

the section of the body that is included in the frame. The
person's head is usually in the top of the picture;
therefore, shots vary according to the lowest part of the
talent shown at the bottom of the screen. Thus the terms
used to describe various people shots are as follows: full
figure shot, knee shot, thigh shot, waist shot, bust shot,
head shot, tight head shot.

Number of People Included

The shot designations that are easiest to remember

are the ones that refer to the number of people included
in the picture. When only one person is to be shot, it is
a one-shot. Obviously, a shot that shows two people is
a two-shot, three people make a three-shot, and so on;
however, when five or six people are pictured it is called

a group-shot. A crowd-shot is when a large group of 20
or more people is being framed.

BASIC SEQUENCE

During motion-media recording, you can change

the image size by changing the camera-to-subject
distance or by using a zoom lens (which also changes
the field of view).

When recording an event on motion media, there are

three basic shots or sequences you must use: long shots
(LS), medium shots (MS), and closeup shots (CU)
(fig. 13-10). The type of shot being used can limit or
increase the amount of visual information presented to

the viewer. Long shots generally establish a location. A
medium shot is used primarily as a transition between a
long shot and closeup shot. Closeup shots create impact
and provide more detail and less visual information
pertaining to the subject's surroundings.

Shot classifications can be broken down into five

categories: extreme long shots, long shots, medium
shots, closeup shots, and extreme closeup shots.

Extreme Long Shots

An extreme long shot (ELS) is used to portray a vast

area from an apparently very long distance. An ELS is
used to impress the viewer with the immense scope of
the setting or scene. An ELS is best usually when made
with a stationary camera. Camera panning for an ELS

13-15

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Basic Photography Course

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DOFMaster for Windows On-line Depth of Field Calculator DOFMaster for Mobile Devices On-line Depth of Field Table Hyperfocal Distance Chart Articles FAQ Recommended Books Support Contact Links Home As an Amazon Associate I earn from qualifying purchases.	contents <- previous page next page -> 302.210 Figure 13-10.Long shot, medium shot, and closeup shot progression. simple line drawing examples of TV framing (fig. 13-9) indicates how to stage and show elements within the confines of the small 3:4 fixed aspect ratio of a television picture. Use high- and low-camera angles with caution. High angles tend to shorten the legs of a person. Low angles may distort the body and face of the subject. Of course, watch for objects that seem to be growing out of or are balanced on a person's head. Area of Talent Included Most motion-media assignments involve people. You may find it convenient to identify people shots by the section of the body that is included in the frame. The person's head is usually in the top of the picture; therefore, shots vary according to the lowest part of the talent shown at the bottom of the screen. Thus the terms used to describe various people shots are as follows: full figure shot, knee shot, thigh shot, waist shot, bust shot, head shot, tight head shot. Number of People Included The shot designations that are easiest to remember are the ones that refer to the number of people included in the picture. When only one person is to be shot, it is a one-shot. Obviously, a shot that shows two people is a two-shot, three people make a three-shot, and so on; however, when five or six people are pictured it is called a group-shot. A crowd-shot is when a large group of 20 or more people is being framed. BASIC SEQUENCE During motion-media recording, you can change the image size by changing the camera-to-subject distance or by using a zoom lens (which also changes the field of view). When recording an event on motion media, there are three basic shots or sequences you must use: long shots (LS), medium shots (MS), and closeup shots (CU) (fig. 13-10). The type of shot being used can limit or increase the amount of visual information presented to the viewer. Long shots generally establish a location. A medium shot is used primarily as a transition between a long shot and closeup shot. Closeup shots create impact and provide more detail and less visual information pertaining to the subject's surroundings. Shot classifications can be broken down into five categories: extreme long shots, long shots, medium shots, closeup shots, and extreme closeup shots. Extreme Long Shots An extreme long shot (ELS) is used to portray a vast area from an apparently very long distance. An ELS is used to impress the viewer with the immense scope of the setting or scene. An ELS is best usually when made with a stationary camera. Camera panning for an ELS 13-15 contents Basic Photography Course <- previous page next page ->	As an Amazon Associate I earn from qualifying purchases.
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