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to tell the story remain. You must decide what number of photographs to use for the story as well as of the photographs will assist you in making decisions about the compositional form. create impact. The lead photograph does not have to be placed in the primary optical area; however, it should be placed in the layout so it sets the theme for the story. Similarly, the end or closing photograph should produce a feeling that the story has ended. the layout. You may have to construct several thumbnail sketches before deciding on the best layout (fig. 1-8). the photograph. Mark the thin paper, rather than the photograph, with crop marks. Crop marks are lines or dashes, in pencil, that indicate where to crop the photograph. paper over the picture being scaled and draw a diagonal line on the paper over the picture or where the crop marks are indicated. Determine the size of the finished picture along the bottom. Now raise a perpendicular line until it meets the diagonal line; this within the crop marks, will be in the scaled reproduction. Advanced Photography Course |
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