Advanced Photography Course

With leading lines and other elements in a layout,

you can suggest to the reader's subconscious mind
that the eyes follow a desired course through the page.

For example, a photograph placed in the primary
optical area should have leading lines that direct the
eyes of the reader into a page or story. These lines

must not direct the reader's attention away from or

out of the story.

DIRECTIONAL LINES OF FORCE

The two weakest points on the page are known as

fallow corners

(upper right and lower left). An

element placed in the fallow comers must be strong

enough to attract and hold the eye of the reader.

Directional lines of force, whether real or implied,

are what causes the eye to move from the primary

optical area through both fallow comers and finally

end up at the terminal area.

When laying out pictures, you must locate the

directional lines of force and use them to build reader
interest. Then you must force the eye of the reader to
flow with the story. Lines of force may be
established by picture direction, or they may be
formed by other elements, such as a headline, a copy,
or the shape and size of a photograph. The most
important thing to remember is that the directional
lines of force should direct the reader from one area
to another. (See figure 1-7.)

COMPOSITION

Composition in layout may have several patterns.

For example, the elements of layout can be arranged
in the form of pyramids, inverted pyramids, Ss, or
reversed Ss.

When the layout consists of two or more pages,

you should establish unity between pages. This can

1-20

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Advanced Photography Course

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DOFMaster for Windows On-line Depth of Field Calculator DOFMaster for Mobile Devices On-line Depth of Field Table Hyperfocal Distance Chart Articles FAQ Recommended Books Support Contact Links Home As an Amazon Associate I earn from qualifying purchases.	contents <- previous page next page -> Figure 1-7.--Picture Layout. With leading lines and other elements in a layout, you can suggest to the reader's subconscious mind that the eyes follow a desired course through the page. For example, a photograph placed in the primary optical area should have leading lines that direct the eyes of the reader into a page or story. These lines must not direct the reader's attention away from or out of the story. DIRECTIONAL LINES OF FORCE The two weakest points on the page are known as fallow corners (upper right and lower left). An element placed in the fallow comers must be strong enough to attract and hold the eye of the reader. Directional lines of force, whether real or implied, are what causes the eye to move from the primary optical area through both fallow comers and finally end up at the terminal area. When laying out pictures, you must locate the directional lines of force and use them to build reader interest. Then you must force the eye of the reader to flow with the story. Lines of force may be established by picture direction, or they may be formed by other elements, such as a headline, a copy, or the shape and size of a photograph. The most important thing to remember is that the directional lines of force should direct the reader from one area to another. (See figure 1-7.) COMPOSITION Composition in layout may have several patterns. For example, the elements of layout can be arranged in the form of pyramids, inverted pyramids, Ss, or reversed Ss. When the layout consists of two or more pages, you should establish unity between pages. This can 1-20 contents Advanced Photography Course <- previous page next page ->	As an Amazon Associate I earn from qualifying purchases.
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